I woke up this morning with art on my mind…I was obsessed with potholder looms
You know the kind you use to make those girl scout craft potholder, that uses loops of knit fabric. I imagine for many of us it was the first kind of weaving we ever did. For me it was not so much about the potholders as much as it was about the small loom and all the other possibilities I was imagining I could create on the little 7x7 loom. This has been an idea festering in my head for months now, and I was sick of not acting on it.
Okay maybe it was a little bit about the pot holders…
I love the asymmetrical designs that remind me of Gee’s Bend Quilts.
So after my day of pot holder obsession, I began to play with some possibilities working yarn on the little loom. Now I know it seems counter intuitive that I am moving away from say a table or floor loom. Here are some of the reasons I am actually looking to go with a smaller loom as opposed to moving to a bigger more complex loom.
I hate warping. The bigger and more complex the loom, the longer it takes to warp. In fact once you get to something like an 8 heddle floor loom, you could easily spend more time warping a loom than actually weaving. Now granted a Saori loom does have a feature that allows one to easily warp their loom by using a rewound warp and changing out the removable beam. And there are also tricks of tying a new warp onto the end of the old and advancing the ties through the heddles. But for the most part. I am just not a fan.
Looms are expensive. Maybe when my profit margins are bigger, I might consider a bigger loom. And in terms of teaching others to weave, it just makes more sense to help others find their art without such a hefty financial commitment.
Art weaving is best in small doses. This is totally my opinion. My short stubby body can not pull off too much lock spun without looking like Fred Flintstone. If I want art weaving to be a focal point, the best way to do that is by surrounding it with a contrast of smoother textures.
Instant gratification, diving deeper into study. My ceramics teacher recently said, “When you get an idea, exhaust it. Don’t just make it once, make it 10, 20, 30 times. Explore it deeply.” YES! This. When you do a technique just once, it remains just that. A technique. When you do it over and over and over again, each time you are adding you own style to what you are making. It becomes your art. Working on a smaller loom takes way less time to to finish a piece than a length of cloth. You can blow through a series in no time. I find myself flush with new ideas when I am working with smaller weavings.
A different approach to construction. Nothing makes me want to drink wine more than having to cut fiber art. And If I am making yardage of hand woven cloth for a garment, that is exactly what I would have to do. In my reference library, most of the garment books specific to hand woven cloth spend a lot of time constructing garments with the least amount of cuts possible. I have been toying with ways to piece a garment as you would in freeform crochet of working with granny squares.
So, this week I am working through the quirks of this loom, exploring different ways to warp, different ways to finish. I am really hating the gap of “teeth” in the corners. But once the square is off the loom, It seems to close up naturally. I can feel this frustration dampening that fiber obsession with my pot holder loom, just a little bit. So I am looking for a win to get me back in the drive. And that is what fiber obsession really is, a drive.
So what is rocking your creative juices right now? what are you working on? You know I love to hear about your work. It inspires me so much. Leave me a comment below, or head over the the FB page and/or FB group(Sign up below!) and share your work.
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