Update on that Art Yarn Scarf

Update on that Art Yarn Scarf

So, Last week I made a video showing you how to use a hairpin lace loom to make an art yarn scarf. If you missed that check it out here. Once the camera was off and as the video loaded, I started to mull over ideas for finishing this scarf. And of course as is the norm for my ambitious right brain….this project has mushroomed and is now threatening to become a shawl.

My latest color jam has been light warm neutrals(beige, cream, light warm grey) punctuated with hot pink and orange. So I pulled out some screaming hot sock yarn and crocheted an edge, putting a cluster of 3 double crochets into each of the loops. I almost left it as is, but decided that I needed to flesh out the color pop just a little more, maybe asymmetrically…

But first I decided to pull together some coordinating yarns to see if maybe I would prefer keeping the pops thin as I added some width to this piece. So far these are the yarns going into this project bag…

So some of the theories behind this selection. I added another hot pink yarn is a slightly different tone and texture. I am not sure if this will end up in the piece or not, but I think there needed to be a bridge between the stark contrast from the super bright and the neutrals. I don’t want there to be too much pink here, but it needed something else. I am also picking the variegated neutral with a little dark grey for depth and little blush pink as a nod to that hot pink. This I feel will be a big part of the shawl/scarf. But we will see. I also pulled together as much handspun using undyed fleece as I had. I needed to play up what was already in the piece, but find some smoother textures. I am also adding the tiny bit of beige-grey worsted that I have. This will draw out the grey Montedale in the art yarn. Not pictured, but I may add it in is an undyed skein of alpaca/merino/silk yarn to round out the creamy white neutrals.

I will keep you posted as to where this is going. But can I just say…OMG this is the first new fiber art piece I have felt compelled to dive into after a long hiatus to work on my new clay obsession. So what are you working on? leave me some comment love below, or shoot me an email. You guys inspire me more than you know.

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Yes!!

Making bad art on purpose

I am in a place of making a lot of mistakes with my ceramics. I joke that I am actually making a bunch of very large test tiles that holds large quantities of coffee. One of the teachers in the studio suggested I make actual tiles to test techniques and glazes. And maybe at some poinnt I will. But there is so much to practice and learn and explore, I just assume make the damn thing and let it be imperfect. 

I went through the same thing years ago with dyeing and spinning. And I still have times where I am shifting my methods or color sense, experimenting. But with the yarn, I have been doing this for quite a while and am better able to salvage any disaster in some way or another. 

But I love ever one of those mugs. Not making much else, I love hand made mugs so very much. 

Making Fiber Art: It is all in the details

Making Fiber Art: It is all in the details

Check this out. This is my most recent yarn…

It was made from this fiber I dyed a couple of weeks ago. The first in the new dye space.

So this fiber was a miss mash of mill ends, farm wool, angora from my late great bunnies, and sole roving ends. I could not tell you what breeds of wool was in there. This was in a box and I just needed it dealt with as opposed to actually having to sort it into the organized stash. I did not even bother to card it all together. I just dumped it into the dye pot. It was my first run in the new dye space and I just needed to see if my set up needed tweaking. When I spun it up, I just divided the whole batch in half and set about spinning it up into a mindless two ply I could make while watching a movie and using my espinner.

There is something about the mishmash of subtle textures that is just awesome. Look closely, you can see a sheen from a mixed fiber containing silk, some fuzz from the angora, rich colors where the dye strike was deeper in one type of wool compared to another. There was also a good bit of white in this batch. I know so many dyers hate having white in their batches. I think the white provides a much needed separation in some of the colors. The white also affects the range of values for the colors, adding a lot of depth within the yarn.

Check this Superwash BFL dyed and spun similarly. While this is a lovely even yarn, there is something predictable about every inch of the texture. And there is nothing wrong with that. It is interesting how just the subtle difference in the wools of my recent yarn adds so very much interest was. This yarn was also dyed with no white, and a smaller range of colors that were within the same value.

You can see while these yarns are similar, the subtle differences will affect how I use each skein.

While I love this new yarn and I am all about art weaving lately, I have to admit, I do not think this new skien would be best suited for art weaving. I think the texture would get lost against the warp (I am not a big fan of weft face weaving). There is a lot going on within one skien, so there is not much need to add to that visual language with other yarn. I really would like to use this skien in some knitting. But chances are I will need to add come other skiens to stretch the yardage for a project. Those yarns will need to just amplify what is already going on in this skien, be it a color, of texture. That may be as a compliment or a contrast.

The BFL skien however would be great in some art weaving. It has a subtle enough variegation to make a weaving section to work in concert with other sections and a panel as a whole.

So yeah, for me fiber art is not necessarily about high end materials or even the techniques I use, as much as it is finding the the ways to show off the best part of each material and technique in a whole piece. You kind of have to really get down to the details of your work and how each bit contributes to the aesthetic of the whole. It is really not that different from what you may be doing as a hobby knitter/crocheter/weaver, It is really all about being thoughtful and observing how each of your choices affect your project as a whole.

Want to know more about how to take turn your knitting/crocheting/weaving hobby into honest to god fiber art? I am hatching a new offering. Sign up here to get updates and notices for when these lessons go live.

100 day project

100 day project

I know this is totally last minute, but do I dare to make the blog my 100 day project?

It certainly would stretch my comfort zone. But then again it would totally fullfill one of my big fat business goals– blog more.

I mean a part of me wanted to fold the #30daysartjournaling into the 100 days, but then again that might be cheating a bit. Hell I suppose for 30 days I could always just fall back on posting some journal pages…

So without any forthought or any prep whatsoever (prep=nailbiting and stressing), I am daring to jump head first into this 100 days project and doing it.


Today is an art center studio day. Glass studio is tonight and I tack on a few hour of clay studio while I am there. I usually wake up with ideas, eager to get there. I will not allow myself to go until I get my work done for the day. I’ll admit lately I have not been piling on ANY admin tasks to complete on Tuesdays because I want to make sure I can get to the studio by 1. That has gotta stop, I have some major projects in the works.

The plan is throw more mugs. I am in the thick of learning all about glazing. AND I am trying to wrap my brain around how big/small to make my mugs to account for shrinkage. So here is hoping I can crank out 8. I average 5, last session I hit 6.

Time to hit post and get to work… so here is to day 1 of 100 (gulp). See y’all tomorrow.

Getting back to the art journals

Confession time….I have fallen hard off the art journaling.

While I would like to be able to say I am one of those people who can not live without her paper brain, lately that just has not been the case. I have always admired the sketchbooks of artists who are constantly working in them, Those books are a work of art in and of them selves. And I have seen first hand in the Graphic design industry, how those journals have helped some of the most successful creatives in the industry grow their work. Those journals are how they process ALL their ideas into form. It is how they keep their creative brains limber. It is where they let their creative ideas play and grow without judgment or outside influence.

I find artists are pretty polarized when it comes to working their ideas out on paper. I once taught a college level design class and required the students to keep sketchbooks as well as provide thumbnails and roughs of their work. Half the students hated going through the documentation process, thinking it was wasting creative time. The interesting thing was it took those students more time to do the work, and they did not have a reference to refer back to for future projects.

Since the beginning of the year, I have been in a much needed creative flow. Finally settled into a routine in my new town, with an amazing new studio resource available to me, I am awash with so many ideas right now. I am so grateful and it i like a breath of fresh air after 2 years of stagnation while we sold our house and moved. But alas, my ideas are scattered among so many tiny little notebooks. It is time to wrangle those into one place. Here are some of the things I need to document

  • I am on the edge of a new body of work with my weaving integrating my new love of clay
  • I have been in the thick of a LONG website overhaul and with each page I start to rework, I find 3 more pages that need to be redesigned or created altogether.
  • I am developing a series of dyeing tutorials and will have copious notes
  • I am making clay stuff and have so many new ideas I just can not keep up with them all.

 

I have an art journal that I started last fall that has been shaping up very nicely. I am loving all the pages so far. Liking them enough to be afraid to actually write  on them! I have added quite a few pockets, not just because I have written my notes in other notebooks, but because I am kind of afraid to mess up my book.

BUT…If I were working in my journals on a much more regular basis than I would be less afraid of messing up.

So if I understand why journals are so important , than why the hell do I fall of the habit? A few years ago I created the 30 day art journal challenge as an exercise for myself to get back into the art journal groove. And Ironically as I am finding I want to get back into the journaling groove again, I am also in dire need of updating the 30 day art journal challenge.

So here is my accountability, For the next week I am posting my daily journal work to my Instagram. In the mean time here is a journal flip of my current book.

 

 

Want to join me in the 7 day journaling challenge on Instagram? Leave me comment below with your Instagram link and use the hashtag #7dayartjournalchallenge on your posts this week.