A little more than a year and a half ago, I opened up a little space on FB for fellow fiberistas to gather and share inspirations and ideas. The past year and a half have filled me with so much awe. I am humbled by the courage and willingness of those who shared what they have been working on, no matter what the discipline or skill level.
For me this was not just about creating a gallery of ideas or another place for the fiber community. For me it has always been about giving artists a voice in the medium of their choice. It has always been about helping knitters and crocheters, spinners, weavers filters of any skill level to understand that their work matters even in its perceived failures or skill limits. Skill is just craft, idea and creative choice is heart and visual language.
There are so many different cultures represented in our little corner of FB. Seriously, we are worldwide. When I scroll through the collective feed, I see not just great work. I see people and their voice. And whether they know it or not, their work is a reflection of everyday life experience that brought them to the very moment when they created that piece of fiber art. I find it absolutely amazing. I find myself curious about the variety of cultures, and lifestyles behind that work. How did they learn to knit? What are yarn shops like where they live? What kinds of fiber art exist where they live and how does it compare to what I see everyday? What does finding time to knit look like in their everyday life? Be it the next county or across the globe…I. Am. Fascinated. Did I mention how humbling this all is?
If you ever wonder if art really has an impact, remember back to the horrific Charlie Hebdo massacre in Paris where commercial artists were murdered because of the political drawings they published. This tragic spot in history is proof that visual language has power. Visual language is the artifacts uncovered in ancient lands, recounting religious beliefs or sharing a glimpse of what life is like centers ago.
I am not saying your chemo caps will bring about social justice. And if they are unearthed centuries from now, I doubt archeologists will have better knowledge of our culture because of them. When you share your work, it marks a place and time in your life. The choices you made were influenced but what you live and know.
So, share your work no matter how mundane you think it is. Your work matters and just know that I see you.
So you are ready to get dyeing yarn and fiber. It is hands down the most frequently asked question I get at UrbanGypZ. It is also a series of classes that I am working up as an offering. I am so excited to share with you guys.
I also knew that I needed to emphasize the need for some studio safety and some considerations you should have when pulling your supplies together and setting up your space. today I want to touch on some major considerations you should have when setting up your space. And some of the first steps for you to take to get ready
Where will it all go down
This is a big deal. However you do not need some crazy dye kitchen with equipment (one can dream…). Most of us are stuck with the options of a standard kitchen, maybe a garage or carport, and maybe some back yard space. You might have a nice basement space with a utitily sink.
No matter where you decide to play, the absolutely most important thing the space should have is ventilation.
I am talking a way to move steam riddled with dye chemicals out and fresh air in. A stove hood is great, a window with a fan is great. Outdoors is ideal. You will also need water access with a hot water hook up. Like a normal sink. I personally do not like using a utility sink because they are way too deep for my short body frame. When rinsing yarn and fiber, the less I have to bend over to reach the bottom of the sink, the better for my back. Washing and rinsing in smaller batches is way more manageable and will prevent felting. You also do not need a stove in your space, although I will go into techniques you can do with your stove and oven. You will need a heat source, but we will go into the different options as they pertain to each class. You will need room to work (like a big table) and space to hang drying skiens and fiber. I often dry mine outside, in the sun on a laundry rack.
Buy this stuff first
Get a really good comfortable face mask. I use this one. This is super important when it comes to mixing your dyes. The dry dye particles are not something you want to breath in. You also will need some gloves. These are just fine, I like these even better(super cheap and disposable). I also love these. Grab an apron, or some dedicated clothing you’d can wear when dyeing. Get a tube of this stuff. It will scrub the dye off your hands. But honestly anything exfoliating will work. Just not sure if my expensive facial scrub is what I would rather use.
Covering surfaces to protect them. When covering surfaces. You not only want to protect them from the dye, you also want to keep the dye from becoming airborne, staining something you don’t want stained. Or worse yet, once again, becoming something you can breathe in. I would suggest investing in a sturdy shower curtain liner (the plastic is stronger and more flexible than drop cloths). Layer sheets of news paper over the shower curtain liner and wet the newspaper with a spray bottle filled with water. This will keep dye powder from becoming airborne if it hits the surface. It will also prevent dried drops of dye from becoming powder again. You will dispose of the newspaper after each dye session (pro tip: those dye stained newspaper sheets make awesome art journaling papers).
If you are dyeing in your kitchen. You are going to have to be extra careful if you have Formica counters and vinyl flooring. They stain so easily. Consider handling dye powder elsewhere if you do. I would use blue painters tape to tape drop cloths to your base boards to protect your floors.
How to schedule your dye sessions.
I found out the hard way that it is not healthy to dye yarn in long sessions day after day. As vigilant as you may be, you will be exposed to dye chemicals. Your body will need a break in between sessions. So, even though you may feel fine. Give your body an opportunity to reset. Drink lots of water and take walks in the fresh air breathing deeply. Get lots of rest. Aim for no more than twice a week. Once a week is even better. This is really important. Don’t skip this.
Art journaling your adventure
If you follow me at all, you know I am really big on keeping an art journal especially if you are creating a body of work. And no matter how you decide to keep your art journal, you will want it to hold inspirations and or to take notes of what you did with snippets of yarn and fibers for reference. I have to admit I rarely kept dye notes, but did keep dye inspirations and note for working out colorway ideas. In this learning phase either way you will want record of what is and is not working either visually or technically. So go ahead and found that dedicated book. I will talk more in the classes about what you can journal for that class.
Up coming classes
When I sat down to hammer out this offering, there were so many things I could teach. There are a million different ways to dye yarn and fiber. And there is also a set of basic information that will apply across all methods. The basics are super important as are the safety concerns. And I really want you to have that information no matter what. I am going to give you some super across the board basics. Kind of like my weaving series, it will be enough for you to dive into dyeing on a super basic level. I will offer more in depth techniques and more dye theories that are illustrated by the individual techniques. These lessons will help you dive deeper into observing how dye and fiber react in different ways, really learn how to use those observation to find unique colorways that are an expression of your art and hopefully spark other ways you can adapt that info to your own methods. I think individual techniques classes will let you pick and chose what you want to learn, as well as keep classes as affordable as you need them to be. And honestly it will give me the space to deliver thoughtful thorough information to you.
And of course, If you want to get notice when the dye classes go live, sign up here
I get asked about natural dyes ALL THE TIME. And straight up, I don’t do them. So I usually just do not have a lot of info about natural dyes. Hey I get it. There is something deliciously romantic about going all homesteader, foraging plants, and using them to dye your handspun yarn. And what’s not to love… beautiful natural, organic vs. chemicals.
As you may or may not know I am pulling together some dye classes. And while natural dyeing is one of the most requested techniques. However, It is not one I will be giving instructions for. But I did however want to give a nod to natural dyeing. So today, fiberista, I am going to share with you my 2 big fat reasons why I took natural dyeing out of the picture when I first started to consider dyeing my own yarn and fibers, as well as some resources I would go to if I ever decide to try natural dyeing (because never say never…right?).
Comparing the toxins
Neither chemical or natural dyes are ideal. Chemicals are…well…chemical. it is really possible to have a chemical overload if you dye a lot of fiber over time even if you are meticulous in your safety precautions. It happened to this master dyer. But overall, the chemical dyes are non toxic. I know it seems counterintuitive, but natural dyes are not as mundane. Most of what you can use to dye are actually food stuffs. But then there are some things that are not, like logwood and cochineal. These can be poisonous. And of course these poisonous things produce the most awesome colors….damn you Murphy’s law.
When these chemical dyes are formulated they are regulated and must meet certain safety standards particularly in the case of the heavy metals added to the dye. These metals are called mordants and help the dye stick to the fiber. These same heavy metals are what you add to natural dyes as mordants. But you are handling these mordants in unregulated quantities and at your own risk. For me it is not that taking precautions to do natural dyeing were impossible, but to do so weekly and in the scale needed for a yarn business was not something I wanted to tackle. I know myself to be not terribly meticulous or tidy, so natural dyeing was just risky for me. There is a big responsibility not just to yourself and those in your household, but to the waterways and the environment when using doing home dyeing. Good classes and resources will spend a lot of time going over all the safety risks and precautions. Heed them, without fail, not matter which method you choose.While you may not see the effects of mishandling dye stuffs now, you may years from now and regret it big time.
Comparing the dye results.
I love retina searing color. Colors not found in nature. Straight up I chose chemical dyes because of the color range. Natural dyes however produce some of the loveliest muted shades of colors. You can get some vibrancy with natural dyes, but those dye stuffs and mordants need to be handled with extreme and vigilant care as well as a lot of patience. It takes a while for natural dye colors to deepen. Chemical dyes however are pretty quick. I can easily dye up several batches in the same dye pot within a day.
There are also environmental effects on colors to consider. I had an office mate who took a 2 week natural dye class intensive at the ivy league of craft schools, Penland. She came home with a beautiful binder filled with swatches she had created with her class mates while there, each with meticulous notes and measurements. I poured over the colors as she told stories of her experience. As I turned the last page she said…”and now I have to make this all over again using my own water source.” You see the water source in Penland is totally different that Asheville despite being just up the mountain. Those tiny differences can have a huge effect on the color. As can the source of your dye stuffs, the season the dye stuffs were grown, the pot you use, temperature..so many things. Now granted, I am all about being at the mercy of what ever your creative efforts produce. Little variations can be like little gifts. So, those variation are not necessarily a bad thing, but if you have a product that relies on predictable results, then you just need to be aware of how these variations will play into what you might possibly get. This is often done with meticulous note taking.
Chemical dyes can be affected by environmental variations as well, but not as extreme. For the most part chemical dyeing is pretty predictable. I am more of a from the hip kind of girl. I never took notes when I dye yarn, I hated the left brainy-ness of that. And fortunately chemical dyes were more forgiving to my lack of note taking and the way I like to dye.
So , you see, while natural dyeing is super popular right now, it’s just not my thing. That doesn’t mean I am not about you diving in. Hell, maybe one day I will join the natural dying band wagon. But, for now, it is not something I am going to cover in my dye classes. Here are the natural dyeing resources I would recommend.
I found this awesome ebook on ETSY, she seems to have found a great mordant alternative that is not as toxic. If I were to do natural dyes, this is where I would start.
I love me some Ninja Chickens! This podcast shows you how they are doing it!
If you want to really immerse yourself in natural dyeing, you can’t go wrong with these craft school courses
And of course, Dharma Trading has some killer tutorials
If you want to geek out over the chemistry of both natural and chemical dyes here are two good articles, they are also the articles where I sourced much of the info I used here.
And of course, If you want to get notice when the dye classes go live, sign up here
So, Last week I made a video showing you how to use a hairpin lace loom to make an art yarn scarf. If you missed that check it out here. Once the camera was off and as the video loaded, I started to mull over ideas for finishing this scarf. And of course as is the norm for my ambitious right brain….this project has mushroomed and is now threatening to become a shawl.
My latest color jam has been light warm neutrals(beige, cream, light warm grey) punctuated with hot pink and orange. So I pulled out some screaming hot sock yarn and crocheted an edge, putting a cluster of 3 double crochets into each of the loops. I almost left it as is, but decided that I needed to flesh out the color pop just a little more, maybe asymmetrically…
But first I decided to pull together some coordinating yarns to see if maybe I would prefer keeping the pops thin as I added some width to this piece. So far these are the yarns going into this project bag…
So some of the theories behind this selection. I added another hot pink yarn is a slightly different tone and texture. I am not sure if this will end up in the piece or not, but I think there needed to be a bridge between the stark contrast from the super bright and the neutrals. I don’t want there to be too much pink here, but it needed something else. I am also picking the variegated neutral with a little dark grey for depth and little blush pink as a nod to that hot pink. This I feel will be a big part of the shawl/scarf. But we will see. I also pulled together as much handspun using undyed fleece as I had. I needed to play up what was already in the piece, but find some smoother textures. I am also adding the tiny bit of beige-grey worsted that I have. This will draw out the grey Montedale in the art yarn. Not pictured, but I may add it in is an undyed skein of alpaca/merino/silk yarn to round out the creamy white neutrals.
I will keep you posted as to where this is going. But can I just say…OMG this is the first new fiber art piece I have felt compelled to dive into after a long hiatus to work on my new clay obsession. So what are you working on? leave me some comment love below, or shoot me an email. You guys inspire me more than you know.
Today fiberista, I am giving a shout out to all the right brained Crocheters. I know it can seem as if they are the red headed step children when it comes to cool crochet resources that aren’t this:
But there is not a whole lot of info for crocheting with wild art yarn. The structure of a crochet stitch is just not meant to show of the intricacies of a very textural art yarn.
So today Fiberista, I am going to share with you one technique which I think is hands down THE way to crochet that crazy art yarn AND maintain your ability to actually SEE the details of your hand spun art. I made you a video.
So, tell me. Do you have a favorite crochet method for crocheting with handspun art yarn? Leave me some moment love below. and as always, if you love this blog post, then please share. xo